BERIO POINTS ON THE CURVE TO FIND PDF

Title. Analysis of Luciano Berio’s Points on a Curve to Find. Abstract. I shall present my analysis of this piece in three sections. First I will discuss the construction. Find composition details, parts / movement information and albums that contain Luciano Berio. Points on the Curve to Find, for piano & 23 instruments. View credits, reviews, tracks and shop for the CD release of Points On The Curve To Find – Folk Songs – Sequenza VII – Laborintus II on Discogs.

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Well, it’s to take two simple and banal forms of behavior At some level, good artistic work does what good religion does: It affords a moment of apparition, or transubstantiation — the revelation of some mystery or making-into-body of some spirit — which fail all accounts but that of the miraculous, at least for a moment.

Luciano Beriofor instance, is hardly a religious composer; but he’s long been preoccupied by the art of engendering impossible objects, and from the early ’70s on has developed a whole genre of piece which make an almost ritualistic spectacle of virtuosic self-generation. All instrumental works of an interior intensity, they operate with the convicted power of magic ti and the assuredness of some imaginary chemical ooints.

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‘points on the curve to find…’ (author’s note)

If “morphogenesis” is Berio ‘s theatrical ideal, these concert-pieces are the consummate blueprint, Berio ‘s prelude-to-the-ideal-theater. In this tradition of Berio -works, “Points on the Curve to Find The minute score is not a little like some vortex in its construction, or perhaps something like a black hole: Finv, the piano is the engine, and with unremittingly fertility it continually regenerates a cycle of ten distinct pitches, hovering on two of them at a ppints in quick oscillation; with each of these hoverings, it seems to transmit those tones to single members of the ensemble, who elaborate and extend those tones.

The piano repeats its cycle, adding a tone to the end and shaving one off the beginning, and the ensemble accrues its pitches into rapidly shifting harmonies. The game of auto-genesis which ensues carries a paradoxical fusion of anarchy and control about it: What’s perhaps most curev about “Points Fiind quality of “what is there” in this music uncannily suggests, even more so, “what is not there.

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